Viewers are invited into a room lined with drawings. In the center of the room, I sit at a pedestal with blank paper, holding a pen in each hand. Viewers may sit in front of me in the seat provided and serve as live models.

I create drawings of them simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

As I perform these drawings, the sounds from each hand are projected into the space. The left and right pens are connected to contact microphones, which are channelled respectively into left and right speakers.

Viewers are invited into a room lined with drawings. In the center of the room, I sit at a pedestal with blank paper, holding a pen in each hand. Viewers may sit in front of me in the seat provided and serve as live models.

I create drawings of them simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

As I perform these drawings, the sounds from each hand are projected into the space. The left and right pens are connected to contact microphones, which are channelled respectively into left and right speakers.

Viewers are invited into a room lined with drawings. In the center of the room, I sit at a pedestal with blank paper, holding a pen in each hand. Viewers may sit in front of me in the seat provided and serve as live models.

I create drawings of them simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

As I perform these drawings, the sounds from each hand are projected into the space. The left and right pens are connected to contact microphones, which are channelled respectively into left and right speakers.

Viewers are invited into a room lined with drawings. In the center of the room, I sit at a pedestal with blank paper, holding a pen in each hand. Viewers may sit in front of me in the seat provided and serve as live models.

I create drawings of them simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

As I perform these drawings, the sounds from each hand are projected into the space. The left and right pens are connected to contact microphones, which are channelled respectively into left and right speakers.

Viewers are invited into a room lined with drawings. In the center of the room, I sit at a pedestal with blank paper, holding a pen in each hand. Viewers may sit in front of me in the seat provided and serve as live models.

I create drawings of them simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

As I perform these drawings, the sounds from each hand are projected into the space. The left and right pens are connected to contact microphones, which are channelled respectively into left and right speakers.

Viewers are invited into a room lined with drawings. In the center of the room, I sit at a pedestal with blank paper, holding a pen in each hand. Viewers may sit in front of me in the seat provided and serve as live models.

I create drawings of them simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

As I perform these drawings, the sounds from each hand are projected into the space. The left and right pens are connected to contact microphones, which are channelled respectively into left and right speakers.

Viewers are invited into a room lined with drawings. In the center of the room, I sit at a pedestal with blank paper, holding a pen in each hand. Viewers may sit in front of me in the seat provided and serve as live models.

I create drawings of them simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

As I perform these drawings, the sounds from each hand are projected into the space. The left and right pens are connected to contact microphones, which are channelled respectively into left and right speakers.

Viewers are invited into a room lined with drawings. In the center of the room, I sit at a pedestal with blank paper, holding a pen in each hand. Viewers may sit in front of me in the seat provided and serve as live models.

I create drawings of them simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

As I perform these drawings, the sounds from each hand are projected into the space. The left and right pens are connected to contact microphones, which are channelled respectively into left and right speakers.

Viewers are invited into a room lined with drawings. In the center of the room, I sit at a pedestal with blank paper, holding a pen in each hand. Viewers may sit in front of me in the seat provided and serve as live models.

I create drawings of them simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

As I perform these drawings, the sounds from each hand are projected into the space. The left and right pens are connected to contact microphones, which are channelled respectively into left and right speakers.

Viewers are invited into a room lined with drawings. In the center of the room, I sit at a pedestal with blank paper, holding a pen in each hand. Viewers may sit in front of me in the seat provided and serve as live models.

I create drawings of them simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

As I perform these drawings, the sounds from each hand are projected into the space. The left and right pens are connected to contact microphones, which are channelled respectively into left and right speakers.

Viewers are invited into a room lined with drawings. In the center of the room, I sit at a pedestal with blank paper, holding a pen in each hand. Viewers may sit in front of me in the seat provided and serve as live models.

I create drawings of them simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

As I perform these drawings, the sounds from each hand are projected into the space. The left and right pens are connected to contact microphones, which are channelled respectively into left and right speakers.

On each page, you will find two drawings which I have created simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

These recordings are artifacts of translation through two sides of my body, residuum of the process of conversion.

On each page, you will find two drawings which I have created simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

These recordings are artifacts of translation through two sides of my body, residuum of the process of conversion.

On each page, you will find two drawings which I have created simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

These recordings are artifacts of translation through two sides of my body, residuum of the process of conversion.

On each page, you will find two drawings which I have created simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

These recordings are artifacts of translation through two sides of my body, residuum of the process of conversion.

On each page, you will find two drawings which I have created simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

These recordings are artifacts of translation through two sides of my body, residuum of the process of conversion.

On each page, you will find two drawings which I have created simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

These recordings are artifacts of translation through two sides of my body, residuum of the process of conversion.

On each page, you will find two drawings which I have created simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

These recordings are artifacts of translation through two sides of my body, residuum of the process of conversion.

On each page, you will find two drawings which I have created simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

These recordings are artifacts of translation through two sides of my body, residuum of the process of conversion.

On each page, you will find two drawings which I have created simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

These recordings are artifacts of translation through two sides of my body, residuum of the process of conversion.

On each page, you will find two drawings which I have created simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

These recordings are artifacts of translation through two sides of my body, residuum of the process of conversion.

On each page, you will find two drawings which I have created simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

These recordings are artifacts of translation through two sides of my body, residuum of the process of conversion.

On each page, you will find two drawings which I have created simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

These recordings are artifacts of translation through two sides of my body, residuum of the process of conversion.

On each page, you will find two drawings which I have created simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

These recordings are artifacts of translation through two sides of my body, residuum of the process of conversion.

On each page, you will find two drawings which I have created simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

These recordings are artifacts of translation through two sides of my body, residuum of the process of conversion.

On each page, you will find two drawings which I have created simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

These recordings are artifacts of translation through two sides of my body, residuum of the process of conversion.

On each page, you will find two drawings which I have created simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

These recordings are artifacts of translation through two sides of my body, residuum of the process of conversion.

On each page, you will find two drawings which I have created simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

These recordings are artifacts of translation through two sides of my body, residuum of the process of conversion.

On each page, you will find two drawings which I have created simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

These recordings are artifacts of translation through two sides of my body, residuum of the process of conversion.

On each page, you will find two drawings which I have created simultaneously with my left and right hand– my left hand mirrors my right. Both hands record the same subject in the same moment with the same medium. The results of each interaction challenge the way I define expectations, accuracy and truth through the illusion of line.

These recordings are artifacts of translation through two sides of my body, residuum of the process of conversion.